Black and White Photography Editing in Lightroom: The Guide

Black and White Photography Editing in Lightroom: The Guide

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Black and white photography has a timeless appeal, bringing out depth, emotion, and contrast in a way that color images often can’t match. 

To master this art form, using the right editing techniques is essential. In this guide, we’ll walk you through everything you need to know about black and white photography editing in Lightroom. 

From adjusting tones and contrast to creating dramatic effects, these tips will help you transform your photos into stunning monochrome masterpieces, giving your images a classic, striking look.

Here's everything you need to know about high contrast B&W editing in Lightroom:

Quick SettingsValue
Exposure+0.12
Contrast+85
Highlights+10
Shadows+15
Whites+10
Blacks-12
Clarity+20

What you'll learn:

  • Converting photos to B&W in Lightroom
  • Adjusting contrast and tones
  • Using the B&W Mix panel
  • Adding local adjustments
  • Sharpening and finishing touches

Best photos for high contrast B&W:

SubjectWhy It Works
ArchitectureClean lines, strong shadows
PortraitsDramatic lighting, skin detail
StreetNatural contrast, shadows
LandscapesTextures, patterns

Pro tip: Start with Adobe Monochrome profile, then build contrast using the tone curve. Use local adjustments to dodge (brighten) and burn (darken) specific areas.

This guide covers everything from basic conversion to advanced techniques like split toning and targeted adjustments. Whether you're new to B&W or looking to improve your editing, you'll find step-by-step instructions for creating powerful black and white images.

Getting Ready to Edit

Your tools and setup make a big difference in black and white photography editing. Here's what you need:

Lightroom Requirements

You can use either Lightroom Classic or CC. Both handle black and white photography editing well.

FeatureLightroom ClassicLightroom CC
B&W Mix PanelYesYes
Split ToningYesYes
Tone CurvesFull controlBasic curves
Local AdjustmentsAdvancedBasic

Picking the Right Photos

Not every photo works in B&W. Here's what to look for:

  • Deep shadows and bright highlights
  • Strong shapes and lines
  • Sharp, clear details
  • Rich tones from dark to light
  • Simple, clean layouts
SubjectWhat Makes It Work
BuildingsHard edges, dark shadows
PortraitsSkin details, expressions
Street ScenesNatural shadows, contrast
LandscapesSurface details, patterns

Camera Settings to Use

Your camera setup matters. Here's how to nail it:

  • RAW Format: Gives you more control in editing
  • Low ISO: Stay between 50-100 for clean shots
  • Auto White Balance: You'll fix it in Lightroom anyway
  • Fast Enough Shutter:
    • Without tripod: 1/125 or faster
    • With tripod: Up to 15 seconds
SettingPick ThisWhy
ISO50-100Less noise
FormatRAWBetter editing
White BalanceAutoFix in post
Shutter1/125+No blur

Quick Tip: Switch your viewfinder to B&W mode (if you can) while shooting RAW. You'll see the contrast live but keep all color info for editing.

First Steps in Lightroom

Start with a virtual copy - right-click your photo and pick "Create Virtual Copy." This keeps your original safe while you work.

Setting White Balance and Exposure

Basic AdjustmentActionPurpose
White BalanceSet firstBase tone foundation
ExposureLower slightlyBuild contrast base
ProfileSwitch to Adobe MonochromeBetter B&W starting point

Fixing Highlights and Shadows

Here's how to balance your light and dark areas:

SliderAdjustmentEffect
HighlightsDrop -30 to -50Fix bright spots
ShadowsLower to -40Add depth
WhitesReduce by 20-30Control brightness
BlacksDrop to -30Deep shadows

Setting Initial Contrast

Let's build strong blacks and whites:

StepSettingResult
Contrast Slider+100Strong separation
Saturation-100Pure B&W
Clarity+15 to +30Mid-tone pop

"I boost the highlights with a curves adjustment first. Then I lift the blacks slightly for a subtle fade effect."

Quick Tips:

  • Hit the B&W tab in HSL/Color/B&W panel for fast conversion
  • Use -4 exposure brush for deep blacks
  • Build whites slowly with low flow brush
  • Layer brushes for tough spots

Keep your adjustments light - you can always add more later. Think of it like building layers: start with the basics, then fine-tune as needed.

Lightroom Presets from Presets.io

Advanced Contrast Methods

The Tone Curve panel is your control center for image contrast in Lightroom. Here's what you need to know:

AreaWhat to DoWhat You'll See
ShadowsPull bottom left downDarker blacks
MidtonesPush center upBrighter middle areas
HighlightsPush top right upWhiter bright spots

Want more control? Hit the Point Curve icon at the top. Now you can add extra points for fine-tuning.

Split Toning Magic

Split toning makes black and white photography POP by adding different colors to light and dark areas:

PartNumbers to UseWhat It Does
HighlightsHue 0-39, Sat 0-30Adds warm colors
ShadowsHue 200-234, Sat 13-26Adds cool colors
Balance-50 to +50Controls which tone wins

"B&W images come down to tone control - it's all about splitting those colors and tweaking them in the mixer." - Pye Jirsa, SLR Lounge Co-founder

Detail Enhancement

Make your images sharp and clear with these numbers:

ToolSweet SpotWhat You Get
Clarity+15 to +30Better mid-contrast
Dehaze+10 to +20More punch
Texture+20 to +40Surface details pop

Power Tips:

  • Make an S-curve for that classic contrast look
  • Keep split toning subtle (under 30%)
  • Stack clarity with local brushes for extra oomph

Want bulletproof contrast? Use these exact points:

  • (20, 0) for shadows
  • (128, 140) for midtones
  • (235, 255) for highlights

These numbers give you strong contrast while keeping all your image details intact.

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Making Photos Black and White

Converting photos to black and white isn't just hitting a button. Here's how to do it right in Lightroom:

Black and White Photography Conversion Options

You've got 3 main ways to go B&W:

MethodStepsBest For
Basic PanelClick "Black & White" at topQuick, simple edits
HSL/Color PanelSelect B&W tabDetailed adjustments
Profile BrowserChoose Adobe MonochromeAdvanced editing

"If you want to work in Black and White, Adobe Monochrome is your best bet." - Nathan Lomas, Video Presenter

Using the Black and White Photography Mix Tools

Want control? The B&W Mix panel lets you decide how each color turns into gray:

Color SliderEffect RangeWhat It Does
Blue-100 to +100Makes skies pop
Yellow-100 to +100Controls plant tones
Orange-100 to +100Affects skin tones
Red-100 to +100Changes brick/stone

Quick Tip: Grab the eyedropper tool, click on your image, and drag up to brighten or down to darken. It's that simple.

Separating Tones

Here's how to make parts of your image pop:

AreaAdjustmentWhy
Highlights-15 to -30Keeps bright areas in check
Shadows+15 to +30Brings out dark details
Whites+15 to +25Adds snap
Blacks-15 to -25Creates rich shadows

Make Your B&Ws Pop:

  • Start in the B&W panel
  • Watch your histogram
  • Test different looks with virtual copies

For portraits? Drop those red and orange sliders to smooth skin. Shooting landscapes? Push down blues for moody skies and bump up yellows for brighter plants.

Remember: Your black and white photography conversion will only be as good as your original photo's colors. Strong colors = more control over your final image.

Editing Specific Areas

The Adjustment Brush (hit 'K' on your keyboard) helps you paint adjustments exactly where you want them. Here's what you can control:

SettingRangePurpose
Size1-100Controls brush size
Feather0-100Makes edges softer or harder
Flow1-100Controls effect build-up speed
Density1-100Sets maximum effect strength

Want better edge detection? Just turn on Auto Mask.

Lightroom gives you two main filters for targeted edits:

Filter TypeBest ForMain Settings
GraduatedFixing skiesExposure, highlights
RadialCreating spotlightsFeather, inversion

Now, let's talk about dodging and burning - your tools for light and shadow:

TechniqueWhat to DoWhat It Does
DodgingUse +1.0 exposure brushMakes areas brighter
BurningUse -1.0 exposure brushMakes areas darker
CombinedLayer multiple brushesShapes the light

Here's what I did with the Castro de Cabo Blanco photo:

  • Added a Graduated filter to the sky (-0.5 contrast)
  • Used the Adjustment Brush on rocks (+25 texture, +30 clarity)
  • Balanced shadows with targeted burning

Some quick tips to help you out:

  • Hit 'J' to see exposure clipping
  • Work in circles from the middle out
  • Start small with +/- 0.5 adjustments

"Dodging = Lightening. Burning = Darkening." - Rick Ohnsman, Author

Finishing Your Photo

Here's how to add those final touches that make your black and white photos pop.

Adding Sharpness and Grain

Sharpening makes your photos crisp without looking fake. Here are the exact settings to use in Lightroom's Detail panel:

SettingRangePurposeRecommended Value
Amount0-150Overall sharpness50
Radius0.5-3.0Edge thickness1.0
Detail0-100Fine detail controlBelow 50
Masking0-100Area protection40-60

Want to see exactly what you're doing? Hold Alt/Option while moving the sliders - you'll get a black and white view of the effect.

For that classic film look, dial in these grain settings:

Grain SettingPurposeStarting Value
AmountControls visibility20
SizeSets grain scale25
RoughnessAdjusts texture50

Adding Vignettes

Want your subject to stand out? Darken the edges. Here's what works in the Effects panel:

Vignette SettingEffectSuggested Range
AmountDarkness level-15 to -40
MidpointSize control35 to 50
RoundnessShape adjustment-20 to +20
FeatherEdge softness50 to 70

Best Export Settings

For print-quality black and white photos:

SettingValueWhy
FormatJPEGBest compatibility
Quality100Maximum detail
Color SpacesRGBStandard display
Resolution300 PPIPrint-ready
Output SharpeningHighFor final polish
ResizeOriginal sizeKeep full quality

Need to export fast? Hit CMD+Shift+E (Mac) or CTRL+Shift+E (PC).

For web and social media:

SettingWeb ValuePurpose
Long Edge2048pxSocial media ready
Resolution72 PPIScreen display
Quality80-85Smaller file size
Sharpen ForScreenDisplay optimized

Extra Tips and Tools

Create Your Own Presets

Let me show you how to save your B&W edits as presets:

1. Start With Basic Settings

StepWhat to DoWhy
Reset SettingsClear everythingClean slate
Set ProfilePick Adobe MonochromePerfect for B&W
Fix Lens IssuesTurn on profile correctionsBetter image quality
Set White BalanceKeep "As Shot"Better tonal range

2. Lock In Your Preset

  • Hit "Create Preset" in Develop module
  • Pick a clear name (like "High Contrast B&W - v1")
  • Select only the settings you need
  • Click Create

Speed Up Your Workflow

Here's how to cut your editing time:

StepActionTime You'll Save
ImportAdd presets while importing2-3 min/photo
Basic EditsStart with Auto tone1-2 min/photo
Local AdjustmentsSet up brush presets3-4 min/photo
ExportCreate export presets1 min/batch

Power tip: The B&W Mix tool is your friend. Click and drag RIGHT ON YOUR PHOTO to adjust specific tones.

For better portraits, try these B&W Mix numbers:

ColorAmountWhat It Does
Red+15 to +30Makes skin brighter
Orange+10 to +20Smooths skin
Yellow-10 to -20Adds pop

Wrap-Up

Here's what makes B&W photos pop:

ElementTechniqueImpact
Basic ConversionAdobe Monochrome profileClean base edit
Contrast ControlSpot vs full-image changesBetter tones
B&W MixColor slider tweaksCustom look
Local EditsBrush + gradient toolsFocused fixes
Texture ToolsStrong settingsBold results

"The principle of creating selective contrast instead of using global contrast is perhaps the single most important principle in black and white photography." - Joel Tjintjelaar, Photographer and Educator

Want to get better at B&W editing? Here's what to do:

StepActionGoal
Daily PracticeEdit 5 photosBuild speed
B&W MixTest color slidersControl tones
Local ToolsFocus on skies + facesNail spot edits
Make PresetsCreate 3 stylesWork faster

4 ways to step up your black and white photography game:

  • Crank up texture/clarity/dehaze more than color
  • Use the targeted tool for exact changes
  • Do basic edits first, then go B&W
  • Copy settings between similar shots

Here's the thing:

B&W isn't just about killing the color. It's about building depth through smart adjustments.

"Creating a good black and white image is about a lot more than simply pulling all the saturation out of a color photo." - Anthony Morganti, Video Tutorial Creator

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